{"id":59,"date":"2012-03-18T20:13:21","date_gmt":"2012-03-18T19:13:21","guid":{"rendered":"http:\/\/afaverre.fr\/Afaverre\/?page_id=59"},"modified":"2025-06-15T23:13:33","modified_gmt":"2025-06-15T21:13:33","slug":"transparentes-speculations","status":"publish","type":"page","link":"https:\/\/afaverre.fr\/Afaverre\/transparentes-speculations\/","title":{"rendered":"De transparentes sp\u00e9culations : Vitres de l\u2019Antiquit\u00e9 et du Haut Moyen Age (Occident-Orient)"},"content":{"rendered":"\n
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Editeur :\u00a0Conseil G\u00e9n\u00e9ral D\u00e9partement du Nord<\/p>\n\n\n\n

PARTIE I <\/strong>– PREMI\u00c8RES VITRES<\/strong><\/h3>\n\n\n\n

Souen Deva FONTAINE et Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

La modernit\u00e9, le confort et les proc\u00e9d\u00e9s de fabrication des vitrages antiques<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Lisandre NANTHAVONGDOUANGSY<\/span><\/strong><\/p>\n\n\n\n

Des vitres dans un atelier antique \u00e0 Aix-en-Provence<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Nicole VANPEENNE<\/span><\/strong><\/p>\n\n\n\n

Fragments de vitre et de fixations d\u00e9couverts anciennement dans les thermes de la villa Les Bossenno \u00e0 Carnac (Morbihan)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

H\u00e9l\u00e8ne ERISTOV et Sabine GROETEMBRIL<\/span><\/strong><\/p>\n\n\n\n

Une fen\u00eatre peinte ?<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

David BILLOIN et Claudine MUNIER<\/span><\/strong><\/p>\n\n\n\n

Un verre \u00e0 vitres avec des traces de scellement \u00e0 Besan\u00e7on<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

H\u00e9l\u00e8ne CHEW<\/span><\/strong><\/p>\n\n\n\n

Une vitre du sanctuaire de la Croix-Saint-Charles \u00e0 Alise Sainte-Reine en Bourgogne<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

V\u00e9ronique ARVEILLER<\/span><\/strong><\/p>\n\n\n\n

Une vitre de Pomp\u00e9i au mus\u00e9e du P\u00e9rigord<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Souen Deva FONTAINE et Dani\u00e8le FOY<\/strong><\/span> <\/p>\n\n\n\n

Des fermetures de verre pour les oculi <\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

V\u00e9ronique ARVEILLER<\/span><\/strong><\/p>\n\n\n\n

Les vitres rondes de la collection Campana au mus\u00e9e du Louvre<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Souen Deva FONTAINE et Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

Une cargaison fragile : les vitres de l\u2019\u00e9pave Ouest Embiez 1<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Herv\u00e9 ALFONSI et Jean-Fran\u00e7ois CUBELLS<\/span><\/strong><\/p>\n\n\n\n

La cargaison de verre de l’\u00e9pave de Porticcio (Corse)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Maurice PICON, Mich\u00e8le VICHY et Val\u00e9rie THIRION-MERLE<\/span><\/strong><\/p>\n\n\n\n

La composition chimique des vitres de l\u2019\u00e9pave des Embiez<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Esperanza ORTIZ PALOMAR<\/span><\/strong><\/p>\n\n\n\n

Vitrages d\u2019\u00e9poque romaine provenant d\u2019Espagne<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Hubert CABART<\/span><\/strong><\/p>\n\n\n\n

Les vitres romaines dans le quart nord-est de la France et la d\u00e9couverte d\u2019Hettange-Grande en Moselle <\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Peter COSYNS<\/span><\/strong><\/p>\n\n\n\n

Le verre plat romain en Belgique <\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Jennifer KOMP<\/span><\/strong><\/p>\n\n\n\n

Etudes arch\u00e9ologiques et scientifiques du verre de fen\u00eatre romain de la r\u00e9gion du Rhin<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

PARTIE II – EVOLUTIONS DU HAUT MOYEN \u00c2GE<\/strong><\/h3>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

La supr\u00e9matie du verre souffl\u00e9 en cylindre : panneaux et vitraux du Ve au IXe si\u00e8cle<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Pascale LAURENT<\/span><\/strong><\/p>\n\n\n\n

La vitre souffl\u00e9e en cylindre d\u2019Escolives-Sainte-Camille dans l\u2019Yonne<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Hubert CABART<\/span><\/strong><\/p>\n\n\n\n

Une vitre de l\u2019Antiquit\u00e9 tardive \u00e0 Ennery, Moselle<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Nicole VANPEENE<\/span><\/strong><\/p>\n\n\n\n

Les vitres du v i c u s de D i o d u ru m \u00e0 Jouars-Ponchartrain, Yvelines<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

Utilisation et r\u00e9utilisation de vitrages : l\u2019exemple d\u2019une villa languedocienne \u00e0 la fin de l\u2019Antiquit\u00e9<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Hubert CABART<\/span><\/strong><\/p>\n\n\n\n

Des ateliers pour des vitres ? Les t\u00e9moignages fragiles des officines de Froidos et du Ti t e l b e rg dans le nord de la Gaule \u00e0 la fin de l\u2019Antiquit\u00e9<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Chantal FONTAINE<\/span><\/strong> <\/p>\n\n\n\n

Fragments de verres plats d\u2019\u00e9poque m\u00e9rovingienne trouv\u00e9s \u00e0 Huy (Belgique) : une production locale ? <\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Ga\u00eblle DUMONT et Lionel PIRAULT<\/strong><\/span><\/p>\n\n\n\n

La basilique des Champs Saint-Martin \u00e0 Rez\u00e9 et ses vitraux (VIe si\u00e8cle)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

David BILLOIN et Claudine MUNIER<\/span><\/strong><\/p>\n\n\n\n

L\u2019\u00e9tablissement rural m\u00e9rovingien de Pratz \u00ab Le Curtillet \u00bb (Jura) : le verre plat<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Fran\u00e7ois GENTILI<\/span><\/strong><\/p>\n\n\n\n

Le verre architectural dans les habitats ruraux du Haut Moyen \u00c2ge d\u2019\u00cele de France : quelques exemples<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Francesca DELL\u2019ACQUA<\/span><\/strong><\/p>\n\n\n\n

Les vitraux du monast\u00e8re de San Vincenzo al Volturno (r\u00e9gion du Molise, Italie centrale)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Sveva GAI<\/span><\/strong><\/p>\n\n\n\n

Vitres et vitraux du palais imp\u00e9rial de Charlemagne \u00e0 Paderborn <\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

J\u00fcrg GOLL<\/span><\/strong><\/p>\n\n\n\n

Les vitraux carolingiens de M\u00fcstair<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

Les cives du mus\u00e9e d\u2019Aquil\u00e9e, d\u2019apr\u00e8s Calvi 1968<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Jacques LE MAHO et Jean-Yves LANGLOIS<\/span><\/strong><\/p>\n\n\n\n

Du vitrail-mosa\u00efque au vitrail peint, les d\u00e9couvertes de Notre-Dame-de-Bondeville et de Rouen (VIIe-IXe si\u00e8cles)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Nicole MEYER RODRIGUES<\/strong><\/span><\/p>\n\n\n\n

Moules \u00e0 plomb et vitraux carolingiens des fouilles de Saint-Denis<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Michel CARON<\/strong><\/span><\/p>\n\n\n\n

A propos d\u2019une cuisson \u00ab m\u00e9di\u00e9vale \u00bb d\u2019apr\u00e8s des fragments de vitraux peints d\u00e9couverts dans les fouilles de Saint-Denis <\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

James MOTTEAU<\/span><\/strong><\/p>\n\n\n\n

Le verre \u00e0 vitre dans la vall\u00e9e de la Loire moyenne dans le Haut Moyen \u00c2ge<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Bernard GRATUZE<\/span><\/strong><\/p>\n\n\n\n

La composition chimique du verre \u00e0 vitre carolingien de Blois (IX-Xe si\u00e8cles)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

PARTIE III – DE L\u2019AUTRE C\u00d4T\u00c9 DE LA M\u00c9DITERRAN\u00c9E<\/strong><\/h3>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

De l\u2019autre c\u00f4t\u00e9 de la M\u00e9diterran\u00e9e : le verre \u00e0 vitre \u00e0 la fin de l\u2019Antiquit\u00e9 et au d\u00e9but de l\u2019\u00e9poque islamique<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Marie-Dominique NENNA<\/span><\/strong><\/p>\n\n\n\n

Les carreaux de fen\u00eatre dans les ostraka et les papyrus \u00e9gyptiens<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Renata KUCHARCZYK<\/span><\/strong><\/p>\n\n\n\n

Les vitres des thermes de Marea (\u00c9gypte)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Marie-Dominique NENNA<\/span><\/strong><\/p>\n\n\n\n

Les cives de couleur de la basilique d\u2019Amathonte<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dominique BENAZETH<\/span><\/strong> <\/p>\n\n\n\n

Trouvaille de vitrages dans le monast\u00e8re copte de Baouit (VIIe – Xe si\u00e8cles)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

L\u2019apport des fouilles d\u2019Istabl\u2019Antar (Fostat-Le Caire) \u00e0 l\u2019\u00e9tude du vitrage de l\u2019\u00e9poque omeyyade \u00e0 l\u2019\u00e9poque fatimide<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Maria MOSSAKOWSKA-GAUBERT<\/strong><\/span><\/p>\n\n\n\n

\u00ab Le bain de lumi\u00e8re \u00bb : le hammam du gouverneur de la forteresse de Sadr au centre du Sina\u00ef<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

Sabra al-Mans\u00fbriyya : les vitrages de couleur d\u2019une ville califale<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

Les vitres d\u2019\u00e9poque mamelouke de la citadelle de Damas<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

Les claustra vitr\u00e9s : un art populaire du Y\u00e9men<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

PARTIE IV – A D\u00c9FAUT DE VITRES EN VERRE<\/strong><\/h3>\n\n\n\n

Souen Deva FONTAINE et Dani\u00e8le FOY<\/span><\/strong><\/p>\n\n\n\n

De pierre et de lumi\u00e8re : le lapis specularis<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

Jordi Mach<\/span><\/strong><\/p>\n\n\n\n

De verre et de toiles : les cloisons de fen\u00eatres au Ch\u00e2teau Royal de Perpignan (XIVe – XVe si\u00e8cles)<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

BIBLIOGRAPHIE<\/strong><\/p>\n\n\n\n

Bibliographie<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

Editeur :\u00a0Conseil G\u00e9n\u00e9ral D\u00e9partement du Nord PARTIE I – PREMI\u00c8RES VITRES Souen Deva FONTAINE et Dani\u00e8le FOY Lisandre NANTHAVONGDOUANGSY Nicole VANPEENNE H\u00e9l\u00e8ne ERISTOV et Sabine GROETEMBRIL David BILLOIN et Claudine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_EventAllDay":false,"_EventTimezone":"","_EventStartDate":"","_EventEndDate":"","_EventStartDateUTC":"","_EventEndDateUTC":"","_EventShowMap":false,"_EventShowMapLink":false,"_EventURL":"","_EventCost":"","_EventCostDescription":"","_EventCurrencySymbol":"","_EventCurrencyCode":"","_EventCurrencyPosition":"","_EventDateTimeSeparator":"","_EventTimeRangeSeparator":"","_EventOrganizerID":[],"_EventVenueID":[],"_OrganizerEmail":"","_OrganizerPhone":"","_OrganizerWebsite":"","_VenueAddress":"","_VenueCity":"","_VenueCountry":"","_VenueProvince":"","_VenueState":"","_VenueZip":"","_VenuePhone":"","_VenueURL":"","_VenueStateProvince":"","_VenueLat":"","_VenueLng":"","_VenueShowMap":false,"_VenueShowMapLink":false,"footnotes":""},"class_list":["post-59","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/pages\/59","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/comments?post=59"}],"version-history":[{"count":20,"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/pages\/59\/revisions"}],"predecessor-version":[{"id":6976,"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/pages\/59\/revisions\/6976"}],"wp:attachment":[{"href":"https:\/\/afaverre.fr\/Afaverre\/wp-json\/wp\/v2\/media?parent=59"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}